Since 1997, Midsomer Murders has been a cozy crime staple for households across the globe. It follows a group of detectives investigating a surprisingly (and often unbelievable) number of homicides across the fictional county of Midsomer- you can only imagine their council tax rates. Now, writer and director, Guy Unsworth has adapted the first volume of Caroline Graham’s Chief Inspector Barnaby book series, The Killings at Badger’s Drift for the theatrical debut of Midsomer Murders, which promises to delight and keep audiences on the edge of their seats. But does it convince this jury? Or is it theatrical homicide? Well, it’s a hung jury on this occasion.

Unsworth’s book brings enough of the well-known elements to keep enthusiasts engaged; eccentric characters, prominent humour and enough melodrama to make Albert Square look calm. However, for the average theatregoer, the book becomes repetitive and doesn’t always afford the characters the time to allow the audience to stay on track, especially when the plot is, at times, convoluted. That being said, Unsworth’s production is a pastiche and when it allows itself to lean into the humour and, dare I say, satire, this is what sets it apart from just another TV detective in a new medium.

The cast work hard to deliver bold characterisations of the eclectic residents, occasionally becoming caricatures but always keeping the audience on side. This is in part thanks to David Woodhead’s set design, with set pieces gliding off-stage, sometimes before the character has quite finished with their moment in the spotlight.

Daniel Casey brings a calm, understated air to DCI Tom Barnaby which works perfectly in contrast to the exaggerated secondary characters. Rupert Sadler steals the show as the flamboyant, simpering Dennis Rainbird who arguably gets the biggest laugh of the evening by simply pronouncing Constable in an alternative way…

Composer, Max Pappenheim allows the audience to be transported to the quaint village but, unfortunately, cues are sometimes missed and sound design is too muted, resulting in hooks not being bold enough to set the scene.

Ultimately, fans of the TV show will enjoy this step back in time to 1997- a simpler time for some, where an easy watch is enough to keep you harmlessly entertained- something the residents of Midsomer could only dream of.

Playing at Manchester’s Opera House until Saturday 30th May. Further information and booking details can be found here.

Tickets received in exchange for an honest review. #AD

Photography by Manuel Harlan.