Category: Reviews
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Abigail’s Party | Royal Exchange, Manchester
Abigail’s Party, directed by Natalie Abrahami, is staged at Royal Exchange, Manchester. Mike Leigh’s work remains relevant, exploring themes of validation and character depth. Kym Marsh shines as Beverly, enhancing the performance with strong staging and design. Despite minor sound issues, the production offers a captivating night at the theatre.
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Cruel Intentions | The Palace, Manchester
Cruel Intentions, a cult classic indie film, has been adapted into a musical that mixes dark humor with 90s nostalgia. While the cast delivers commendable performances, directing and choreography hinder their full potential. The production’s sharp set design enhances the experience, yet its inconsistent identity may leave some audiences wanting…
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Handbagged | The Lowry, Salford
Laura Buffini’s play Handbagged presents a comedic yet flawed portrayal of Queen Elizabeth II and Margaret Thatcher’s imagined conversations at Buckingham Palace. Despite strong performances and witty dialogue, the script’s repetitive nature and reliance on exposition hinder its potential. While intriguing for political enthusiasts, it ultimately lacks significant impact.
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Willy Russell’s Shirley Valentine | Everyman Theatre, Liverpool
Willy Russell’s iconic character Shirley Valentine is revitalized in the Everyman Theatre production, showcasing her journey from a mundane kitchen life to vibrant self-discovery. Helen Carter’s remarkable performance and the impeccable direction reveal Shirley’s transformation, resonating with audiences and illustrating timeless themes of ambition and freedom, proving the play’s enduring…
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Glorious! | Hope Mill Theatre, Manchester
Peter Quilter’s Glorious!, showcasing Florence Foster Jenkins’ amusing yet poignant story, has premiered at Hope Mill Theatre. While Wendi Peters delivers a dynamic performance, the script lacks depth and purpose, missing opportunities to explore Jenkins’ resilience. Despite its shortcomings, the production captivates with strong performances and themes of courage and…
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Joseph and the Amazing Technicolor Dreamcoat | Opera House, Manchester
Andrew Lloyd-Webber’s beloved musical, Joseph and the Amazing Technicolor Dreamcoat, returns to Manchester nearly 60 years after its debut. Directed by Laurence Connor, Adam Filipe shines as Joseph, while Christina Bianco excels as The Narrator. With vibrant set design, choreography, and lighting, the production offers a nostalgic theatrical experience, running…
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Bat Out of Hell | The Palace, Manchester
Since its explosive inception, Bat Out of Hell has been revving up audiences with its high-octane fusion of rock opera and theatrical spectacle. Now, on its 2025 UK tour, Jim Steinman’s bombastic vision roars onto the stage of the Palace Theatre in Manchester, aiming for renewed vigour and an 8-piece…
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Ghost Stories | Lowry, Salford
‘Ghost Stories’ captivates audiences with its suspenseful storytelling and strong performances. Professor Goodman, played by Dan Tetsell, debunks supernatural claims while immersing viewers in nightmarish realities. The production excels in sound, lighting, and special effects, creating an unsettling atmosphere. Despite some comedic elements, it’s a thrilling experience worth attending.
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Ellen Kent’s La Bohème | Opera House, Manchester
Ellen Kent’s La Bohème at Opera House, Manchester, presents Puccini’s poignant narrative of love and loss among 19th-century Parisian artists. While Viktoriia Melnyk’s Musetta shines, the production suffers from pacing issues. Despite static staging, strong vocal performances and a powerful score make it an engaging, though uneven, opera experience.
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The Peaceful Hour | Royal Court, Liverpool
The Peaceful Hour at Liverpool’s Royal Court, written by Gerry Linford and directed by Emma Bird, explores themes of acceptance through comedy and poignant moments. The chemistry between characters Julie and Tim is strong, and while the narrative has ups and downs, it ultimately delivers a significant message about love…
Stagey Reviews 