Category: Reviews
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Rocky Horror Show | Palace Theatre, Manchester
The Rocky Horror Show, now in its 50th year, remains a vibrant yet nostalgic production directed by Christopher Luscombe. While it features star performances and classic songs like ‘Time Warp,’ it feels more like a preserved relic than a revolutionary experience. Despite its joyful message, it lacks reinvention in today’s…
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Making It! | Royal Court, Liverpool
Making It!, a play by Cath Rice and Stephen Fletcher, has evolved from a solo performance to a two-hander. Starring Bev (Rice) and Andrew Schofield, the show explores showbiz challenges and personal journeys through humor and caricature. While visually appealing, it lacks depth compared to similar works, resulting in emotional…
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A Knight’s Tale: The Musical | Opera House, Manchester
‘A Knight’s Tale: The Musical’ is a bold adaptation of Brian Helgeland’s film, combining medieval themes with a playlist of pop hits and humor. The narrative centers on William Thatcher, a squire aspiring to knighthood. With vibrant choreography and eclectic sound design, the production is campy and entertaining, capturing audiences…
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Death of a Salesman | Lowry, Salford
Arthur Miller’s “Death of a Salesman,” directed by Andy Arnold, struggles to fully engage audiences despite its timeless themes. While David Hayman’s portrayal of Willy Loman shines in present scenes, the production’s overthought direction and cluttered staging detract from the narrative. Daniel Cahill’s performance as Biff stands out amidst confusion…
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Mary Poppins | Palace Theatre, Manchester
The new UK tour of Mary Poppins revitalizes the classic with sophistication and creativity. Stefanie Jones shines as Mary, balancing warmth and strength, while Jack Chambers’ Bert brings charisma and energy. The production impresses with fluid set transitions, heartfelt performances, and thoughtful themes, making it a captivating theatrical experience.
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Abigail’s Party | Royal Exchange, Manchester
Abigail’s Party, directed by Natalie Abrahami, is staged at Royal Exchange, Manchester. Mike Leigh’s work remains relevant, exploring themes of validation and character depth. Kym Marsh shines as Beverly, enhancing the performance with strong staging and design. Despite minor sound issues, the production offers a captivating night at the theatre.
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Cruel Intentions | The Palace, Manchester
Cruel Intentions, a cult classic indie film, has been adapted into a musical that mixes dark humor with 90s nostalgia. While the cast delivers commendable performances, directing and choreography hinder their full potential. The production’s sharp set design enhances the experience, yet its inconsistent identity may leave some audiences wanting…
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Handbagged | The Lowry, Salford
Laura Buffini’s play Handbagged presents a comedic yet flawed portrayal of Queen Elizabeth II and Margaret Thatcher’s imagined conversations at Buckingham Palace. Despite strong performances and witty dialogue, the script’s repetitive nature and reliance on exposition hinder its potential. While intriguing for political enthusiasts, it ultimately lacks significant impact.
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Willy Russell’s Shirley Valentine | Everyman Theatre, Liverpool
Willy Russell’s iconic character Shirley Valentine is revitalized in the Everyman Theatre production, showcasing her journey from a mundane kitchen life to vibrant self-discovery. Helen Carter’s remarkable performance and the impeccable direction reveal Shirley’s transformation, resonating with audiences and illustrating timeless themes of ambition and freedom, proving the play’s enduring…
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Glorious! | Hope Mill Theatre, Manchester
Peter Quilter’s Glorious!, showcasing Florence Foster Jenkins’ amusing yet poignant story, has premiered at Hope Mill Theatre. While Wendi Peters delivers a dynamic performance, the script lacks depth and purpose, missing opportunities to explore Jenkins’ resilience. Despite its shortcomings, the production captivates with strong performances and themes of courage and…
Stagey Reviews 