Adapted to the stage for the first time by writer of the 1985 film, Frank Clarke, described as a “Liverpool love story”, it would be easy to make assumptions of what is to come in Letter to Brezhnev. For those not privy to the movie, buckle in- you’re in for an emotional roller coaster.

Penned in the decade that divided Britain, culturally and politically, Clarke, in his writing debut, struggled to have the script picked up due to ongoing censorship and anti-Russian propaganda in the press with the ongoing Cold War. The political themes, four decades on, continue to remain relative with tensions around the world; pitching communities against each other.

Directed by Nicole Behan, Letter to Brezhnev tells of Elaine (Ellie Clayton) who is navigating the unemployment crisis in Liverpool, and best friend Teresa (Angela Simms) who despite a cushty life on the surface is masking an identity crisis. As they enjoy a night on the town, they meet two Soviet sailors on shore-leave, a night that will change their lives forever. Clarke’s dialogue has such an authenticity to working-class life with a rawness that you immediately fall in love with.

While the plot focuses on the love between Elaine and Peter, Clarke’s evocative writing brings other compelling relationships to the audience, from journeys of self-discovery, family ties, community influence and chosen family. Despite the melodrama, Clayton and Simms give exquisite performances in their respective roles. Clayton brings a grounding and emotional presence, fluidly taking us on Elaine’s journey. Simms is a powerhouse in comedy and never misses a beat while breaking the audience’s heart come Act 2. Supporting cast members, while multi-rolling, make this a true ensemble piece and bring heart and hilarity throughout.

The design is not only cohesive but some of the best I’ve not only seen at the Royal Court, but since my reviewing journey began. Mark Walters’ abstract, adaptable set design transforms the stage and makes use of every inch to bring the audience to key locations. Just as you think the design can give nothing else, another hidden drawer or doorway unveils a further secret.

If you’re unsure whether this is your cup-of-tea, book a ticket and blame me if it’s not. This is a superb piece of theatre and a love letter to Liverpool and anyone who has ever fallen in love.

Letter to Brezhnev is playing at Liverpool’s Royal Court Theatre until Saturday 17th October. Further information and booking details can be found here.

Tickets received in exchange for an honest review. #AD

Photography by AB Photography.