Category: Plays
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Glorious! | Hope Mill Theatre, Manchester
Peter Quilter’s Glorious!, showcasing Florence Foster Jenkins’ amusing yet poignant story, has premiered at Hope Mill Theatre. While Wendi Peters delivers a dynamic performance, the script lacks depth and purpose, missing opportunities to explore Jenkins’ resilience. Despite its shortcomings, the production captivates with strong performances and themes of courage and…
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Ghost Stories | Lowry, Salford
‘Ghost Stories’ captivates audiences with its suspenseful storytelling and strong performances. Professor Goodman, played by Dan Tetsell, debunks supernatural claims while immersing viewers in nightmarish realities. The production excels in sound, lighting, and special effects, creating an unsettling atmosphere. Despite some comedic elements, it’s a thrilling experience worth attending.
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The Peaceful Hour | Royal Court, Liverpool
The Peaceful Hour at Liverpool’s Royal Court, written by Gerry Linford and directed by Emma Bird, explores themes of acceptance through comedy and poignant moments. The chemistry between characters Julie and Tim is strong, and while the narrative has ups and downs, it ultimately delivers a significant message about love…
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Escaped Alone & What If If Only | Royal Exchange, Manchester
Caryl Churchill’s plays, Escaped Alone and What If If Only, are currently showcased at the Royal Exchange in Manchester. Both works explore profound themes, blending everyday dialogue with apocalyptic visions. Expert direction and a talented cast craft intense emotional experiences, leaving audiences with lingering reflections on existence, grief, and societal…
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The Girl on the Train | Lowry, Salford
The adaptation of Paula Hawkins’ The Girl on the Train, directed by Loveday Ingram, transforms the psychological thriller into a comedic piece, losing the original’s tension and depth. While some performances shine, the overall execution leads to unrealistic dialogue and superficial characters, undermining the gripping narrative, resulting in an unsatisfactory…
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Rita, Sue & Bob Too | Theatre Royal, St Helens
There aren’t many shows that come with a caveat before the curtain rises, that it will be presented as it was written, word for word, and that the audience should take it in context for its time. As someone who found great joy in The Book of Mormon and Avenue…
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The Shark Is Broken | Lowry, Salford
The Shark Is Broken humorously depicts the troubled production of Jaws, focusing on three actors grappling with frustration on set. While the play offers character development and laughter, it leaves audiences wanting more depth beyond the behind-the-scenes antics. The performances, particularly Ian Shaw’s, shine despite a somewhat dry plot.
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Stocking Fillers | Royal Court, Liverpool
Stocking Fillers returns to the Royal Court in 2024, featuring seven short plays performed by a talented cast. Each piece showcases the versatility of the actors and creative team, delivering humor and emotional depth. Directed by Sam Donovan, this festive production is a delightful selection box of theatrical experiences that…
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A Midsummer Night’s Dream | The Lowry, Salford
Opera North revives Martin Duncan’s interpretation of Britten’s ‘A Midsummer Night’s Dream’, maintaining its 1960s psychedelic flair. The production features innovative set design, authentic costumes, and strong performances, particularly by Abelson (Puck) and Waddington (Bottom). Despite some slow moments and lengthy acts, it offers an accessible opera experience.
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Marble Cake | The Hope Street Theatre, Liverpool
Marble Cake, co-written and performed by Olivia Penhallow and Nathaniel Allen, explores themes of dual heritage, family resentment, and mental health through a dynamic sibling reunion. Set in a South London living room, the play showcases naturalism and raw emotions, encouraging communication. The performance is authentic and resonates with diverse…
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