Category: Reviews
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The Battle | Opera House, Manchester
In 1995, UK music saw a clash between Oasis and Blur, embodying a North-South divide amid boybands’ dominance. The production “The Battle,” directed by Matthew Dunster, attempts to capture this rivalry but falters with a lackluster script and uninspired design, despite solid performances from the cast. Overall, it disappoints fans.
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Soul by Diversity | Empire Theatre, Liverpool
Ashley Banjo and the Diversity dance group present “Soul,” a touring production that skillfully intertwines vibrant choreography and a narrative on technology’s impact on human connection. The show features dynamic music, striking visuals, and precise routines, balancing celebration with moments of reflection, though some audience distractions hinder its message. Overall,…
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Ballet Nights | Opera House, Manchester
Ballet Nights at Manchester Opera House features a unique program of short works by international dancers, showcasing both contemporary and classical styles. Compere Jamiel Devernay-Laurence guides the event, which highlights diverse performances, including standout pieces like Atlas and Splice. While production design is simple, the focus remains on exceptional talent,…
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Mean Girls | Opera House, Manchester
Mean Girls, the 2017 musical adaptation of one of the most quotable and iconic films of the 21st century, has opened at Manchester’s Opera House as part of its first U.K. tour, bringing enough of the sharp one-liners from screenwriter Tina Fey to keep purists satisfied but ultimately lacking in production value to be totally fetch. Mean Girls follows socially…
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Operation Mincemeat | Lowry, Salford
SpitLip’s “Operation Mincemeat” premieres its world tour at Lowry, Salford, showcasing a flawless blend of comedy and emotional depth within a true WWII story. Under Robert Hastie’s direction, the talented cast delivers sharp performances, while clever writing and inventive design elements create a vibrant and unforgettable theatrical experience.
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Priscilla Queen of the Desert, The Musical | Palace Theatre, Manchester
“Priscilla Queen of the Desert the Musical,” directed by Ian Talbot, is a vibrant production that polarizes audiences. While it offers escapism and entertainment through camp performances and colorful design, its thin narrative and pacing issues detract from depth. Despite flaws, it serves as important LGBTQ+ representation and provides a…
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Road | Royal Exchange, Manchester
The Royal Exchange Theatre’s 50th anniversary is marked by the revival of “Road,” directed by Selina Cartmell. This immersive production highlights themes of community and resilience, capturing the essence of northern working-class life. With powerful performances and evocative design, it balances humor and tragedy, breathing new life into a classic…
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Send in the Clowns: Unpopular | Hope Mill Theatre, Manchester
Fatt Projects’ “Unpopular” returns with its unique blend of chaos and talent, showcasing drag culture through powerful vocals and humor. The show satirizes mega-musicals like “Wicked” and features engaging performances despite occasional missed cues. Entertaining and insightful, it runs at Manchester’s Hope Mill Theatre until February 18, before touring further.
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The Night Larry Kramer Kissed Me | Hope Mill Theatre, Manchester
Hive North’s latest adaptation of The Night Larry Kramer Kissed Me, directed by Adam Zane, showcases a powerful performance by Gabriel Clark in this one-man play. It explores the history of LGBTQ+ struggles against persecution, notably through strong visuals and poignant storytelling. The production, running until February 14, is a…
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Barnum | Palace Theatre, Manchester
The 2026 UK tour of “Barnum” at Manchester’s Palace Theatre showcases energetic performances but lacks dramatic depth. Despite a talented cast and impressive moments, Mark Bramble’s book limits character development. While the production features vibrant visuals and skilled circus acts, it falls short of emotional resonance, ultimately leaving audiences wanting…
Stagey Reviews 