For most, Roald Dahl’s collection of novels are a rite of passage: tackling themes of good overcoming evil, victorious underdogs and the power of imagination. The musical adaptation of Matilda ticks all these boxes and then some to remain top of the class and avoid the dreaded chokey.

With a witty and empowering book by Dennis Kelly and irresistible score from Tim Minchin, the production, with original direction by Matthew Warchus, elevates Dahl’s classic to new heights, bringing emotional depth and empowerment to the beloved characters.

Matilda Wormwood (played at this performance by Mollie Hutton – who gives a captivating and poignant performance and never misses a beat) is not the child her parents wanted. She is neglected and misunderstood despite her brilliance, yearning for nothing more than to be loved. She finds solace in her library books and boundless imagination, before she enrols at the bleak and oppressive Crunchem Hall, ruled by the tyrant that is Miss Trunchbull (Richard Hurst).

Hurst gives a standout performance, balancing the hammy pantomime villain of Trunchbull with moments of genuine terror, making the children of the audience squirm – perfection. Additionally, Esther Niles as Mrs Phelps gives a charismatic and hilarious performance, and leaves the audience in hysterics with every line.

The ensemble – children and bigger children alike- bring insane amounts of energy to Peter Darling’s effervescent choreography, while Rob Howell’s bold set design is a collage of alphabet blocks and vivid colours that brings Matilda’s imagination and reality to life.

While some purists of the 1996 movie adaptation may feel a tad confused by the lack of telekinesis, bookworms will rejoice itsfaithfulness to the novel, capturing the humour, tone and heart of Dahl’s writing. But don’t worry, there’s still theatrical magic: Bruce Bogtrotter still has his cake and as for how Trunchbull deals with Amanda Thripp’s pigtails- it’s truly theatrical gold.

Whether you’re a fan of musicals or not, Matilda has something for everyone, and the production value of this show alone is not something you regularly get from a touring production. Grab a ticket while you can- or you might end up in the chokey…

Playing at Manchester’s Palace Theatre until Saturday 25th April, further information and booking details can be found here.

Tickets received in exchange for an honest review. #AD

Photography provided by the production.