A big focus of Stagey Reviews is to give a platform to not only large-scale productions with price tags to match, but also to affordable theatre. We were recently invited to the run of Blip!, as part of the Chorlton Arts Festival, where it played for one night ahead of its run at Brighton and Edinburgh Fringe Festival. As we were unable to attend, writer, Tom Bass kindly invited us to watch the final rehearsal ahead of the evening performance, which gave us further insight into the creative process around Blip! and how it continues to evolve.

Blip! focuses on Bass’ complex relationship with his father growing up and how, although past experiences can shape us- we have the ability to change our future. Bass, along with director and choreographer, Ren Roberts, places the main emphasis of the piece on stylised physical theatre, through exaggerated expressions, animated characterisations and even some hilarious dad-dancing thrown in for good measure. Skilfully, he utilises his training in clowning to sprinkle a little humour into the thought-provoking and, at times, touching piece which will resonate with anyone who has struggled with connection. It is during the more poignant moments that Bass comes into his own, opening a window of vulnerability in his portrayal through a defeated stance and dewy eyes which could speak a thousand words. It’s a performance to be proud of.

In addition to this, Bass has also produced the show’s audio which effectively and swiftly immerses the viewer; at its best during a riveting sequence of repetition during the character’s monotonous search for a job.

Bass’ intention through this outlet is to “explore the surreal quirks and qualities that make us human” and, it’s fair to say, mission accomplished.

Information on the dates and venues for the respective fringe runs can be found here.