Matthew Bourne’s revolutionary classic Swan Lake is back with the next generation- and it is nothing short of a revelation. From its first performance some 29 years ago in 1995, this ground-breaking reinterpretation has become a cornerstone of modern ballet and has consistently captivated audiences worldwide. Bourne’s visionary production pares back on traditional conventions, replacing the female swans of the classical ballet with a fierce, all-male flight. This daring transformation breathes in new life whilst fully bolstered by Tchaikovsky’s iconic score, offering a fresh narrative perspective and gasp-inducing emotional depth.

At its core, Bourne’s production is a rich exploration of identity, love and the constraints of society. His storytelling is lavish, layered, and often profoundly moving; a troubled Prince, suffocated by a cold and controlling mother, dreams of freedom and affection- yet is disillusioned by his own reality.

One of the most striking elements of this production is the sheer physicality of the swans. Gone are the delicate, tutu-clad figures of the past and in their place are powerful, animalistic creatures. The male ensemble, brimming with primal energy, embody the raw, untamed nature of these birds. Bourne’s career defining choreography is both breath-taking and innovative and the stage is a constant powerhouse of energy, to the point that it’s visceral.

The performances are uniformly stellar, and the ensemble attack their movement characterfully, with pin-point precision. Jackson Fisch as The Swan/The Stranger is a magnetic presence. His dual role showcases impressive range, moving seamlessly from ethereal elegance to seductive charisma.  As the Prince, Stephen Murray delivers a heart-wrenching performance, capturing inner turmoil with poignancy and grace. Together, their chemistry is electric, rooting the fantastical elements of the production in deeply human connection. As a tonic to the emotional gravitas, Bryony Wood’s ‘The Girlfriend’ is a complete and utter joy. Overblown in all the right ways, the scene is stolen whenever she slinks out onto the stage.

Set and Costume Design by Lez Brotherston is immaculate. The opulent yet oppressive royal palace contrasts starkly with the dreamlike lake scene and marries with Paule Constable and Duncan Mclean’s striking Lighting and Video and Projection Design, respectively, to create some of theatre’s most stunning visuals. Embellished with elaborate costuming, it’s a feast for the eyes.

It goes without saying that Tchaikovsky’s timeless score is masterful. Blending familiar melodies with some fresh interpolations enhances the drama unfurling on stage. Music underpins every emotional beat- from the first strike of the monumental score to its goose-pimple-inducing final crescendo.

What truly sets this incarnation of Swan Lake apart from its peers is its ability to resonate across generations and cultures. Bourne’s interpretive themes of identity, repression, and the search for connection are universal and serve to highlight this production’s enduring appeal. His trademark blend of classical ballet with a contemporary edge makes for accessible viewing for both seasoned dance enthusiasts and newcomers to the genre alike.

Matthew Bourne’s Swan Lake- The Next Generation is a sheer triumph of creativity and vision. It challenges expectations and redefines storytelling. Arguably, the dance event of the year.

Playing at The Lowry until Saturday 30th November. Further details and booking can be found here.

Photography by Johan Persson is from a previous production.