This evening, I was invited to review the opening performance of Private Peaceful, performed by the students of Dixons Broadgreen Academy.

Originally a 2003 novel by Michael Morpurgo, the plot tells the story of Thomas “Tommo” Peaceful, who is looking back at his life from childhood to warfare and the trials faced as a soldier during the First World War- A time where it was common practice for the British Army to punish their recruits to death by firing squad for crimes like desertion and cowardice. Previously conceived as a one-man play, more recently the opportunity for an ensemble piece was created- giving more opportunity to build the backstory of the Peacefuls.

Although performing outside of their usual venue (tonight finding home at The Capstone Theatre in Liverpool), this did not throw the talented ensemble as they made use of not only the vast stage but also utilised balcony space for their band which only added to the action. The musicians (accompanied by a punchy soundtrack) gave depth to scene transitions and added emotion to the more harrowing scenes.

No minor detail was missed in this production with direction by McGrath and Gilbert; from atmospheric war-time music playing throughout the venue to members of the band wearing Brodie helmets. I must admit, I was dubious to see such themes portrayed by students, however this added to the innocence and realism of the piece. Although the set was minimal, this not only put emphasis on the emotional performances but also gave space for fearless physical theatre which even professional actors might struggle pull off.

Leading the cast as Tommo was Will Almond, who barely left the stage throughout the show. He truly came into his own in act two during heartfelt scenes with brother Charlie, played by Aleksander Cielinski, having undeniable chemistry on stage and delivered emotive performances.
This was true for the younger portrayals of the brothers too, portrayed by Max Shead and Niki Mandula, showing the early bond between the brothers which was carried throughout.

Vishesh Gurrnani switched roles in Act 1 from pilot to Sergeant Major, managing to show a vast contrast between the two and soared as the Seargent with excellent projection and showing power in his rank.

The Peaceful’s mother was played by Ellie Odger and Molly (the Peaceful brothers’ friend turned love interest) was played by Holly McConnell. Both brought a heartfelt presence throughout with purposeful movement- something which could have been overlooked in what are each emotionally mature roles.

Further adding to the drama unfurling onstage were Kyle Williams as Nipper, Kai Forrester as Les and Jack Cain as a particularly emotive Peter who led the physical theatre sequences to great avail and were real strengths amongst the platoon of supporting roles. In fact, a standout scene for the play was during a war-torn Tommo’s dream sequence with bold lighting choices and a Billie Eilish soundtrack (which worked surprisingly well)- it had to be seen to be believed.

Unfortunately, with a 30 strong cast oozing with confidence and individual strengths, it’s not possible to name everything I loved about the piece, however, something I am in awe of and have massive respect for are the cast and creatives who have a passion for theatre and the confidence to get on stage and do what they clearly love outside their everyday lives. 

This affinity for theatre is what will keep it alive and accessible for the masses- so thank you to all involved.